[R606.Ebook] Download Lola: A Ghost Story, by J. Torres

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• Jesse sees dead people, monsters, demons, and lots of other things that go bump in the night that no one else can see. No one except his ailing grandmother — a woman who used her visions to help those living in her small town... the same rural community in all the scary stories Jesse's heard as a child. Man-eating ogres in trees. Farmhouses haunted by wraiths. Even pigs possessed by the devil. Upon his grandmother's passing, Jesse has no choice but to face his demons and whatever else might be awaiting him at grandma's house.

• Sales Rank: #1779457 in Books
• Published on: 2011-10-11
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .70" w x 7.20" l, 1.05 pounds
• Binding: Hardcover
• 112 pages

From School Library Journal
Grade 7 Up—Lola ("grandmother" in Tagalog) has just died, and Jesse is reluctant to visit her home in the Philippines. He was afraid of her because she was rumored to have magical abilities, and because he thinks she tried to drown him when he was a baby. Jesse listens to family members tell stories about her as he tries to adjust to their strange mix of superstitions and religion. Lola is one of several dead characters in this book, and they tie into another reason that the boy is worried about this trip. Jesse is an unusually nuanced character, both in relation to his family and to readers. When he sees something extraordinary, it's unclear if he is dreaming, hallucinating, or if he has inherited his grandmother's abilities. Torres's gradual revelation of details will keep readers hanging until they learn the truth. Or's artwork uses sepia tones and smooth lines, and features characters with cute button eyes. But the sweet images can quickly turn horrific when Jesse has his visions. Lola ends with a cliff-hanger that could be resolved in a sequel but that just might have to be resolved by readers' imaginations.—Andrea Lipinski, New York Public Library
(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Review
Torres and Or's tale is the sort of quiet horror story that moves along simply, lulling you into false security, before twisting quickly in another direction right at the end. The details of Jesse's powers are doled out slowly, not just thrown right at you, and so it's easy to think that his reluctance to travel is due to being uncomfortable in a different country, being annoyed by his relatives, or just being a young teen. It's not until we begin to see his visions during Lola's funeral that we realize just why Jesse is as nervous as he is. Then, as his cousin Maritess begins to try to help him deal with his powers, we think that he might just be alright. Maybe he'll learn to handle the visions, maybe his parents will be okay with his abilities as they were accepting of Lola's, maybe things will work out. It's a comforting thought that makes the final twist work even more effectively.

Or's art is as quiet as Jesse is. The characters' rounded faces seem gentle, so when Jesse's visions of death and decay begin, they are as jarring as a rotting corpse in a flower bed. But even though Or's art can be shocking, this is still horror that is appropriate for most middle school audiences. The blood and guts are kept to a minimum, used sparingly for effect, with only three pages having zombie-style (meaning: guts falling out) illustrations. The horror is built more from the looks on Jesse's face. He is tortured by what he sees, pained by the knowledge that the world isn't the safe, easy place that many people believe it to be. Maritess' respect for Jesse's abilities and her slight jealousy of his inheritance of Lola's powers is evident on her face, but that look soon begins to fade as she realizes what his visions have cost him.

Though readers are left unsure of Jesse's fate at the end of this volume--and though there is no guarantee of a second volume--that ending works perfectly for the type of horror this story is. Jesse's world is not safe, even if his story has a folkloric, almost old-fashioned quality to parts of it. The ending reminds us that he has issues beyond our ken to deal with at a very young age and we can't help but be sympathetic to them, even as we shudder at what he sees. Though the oversized format and the bright cover might not catch the eye of horror readers, with some booktalking this title is sure to find an audience. --Publishers Weekly School Library Journal

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0 of 0 people found the following review helpful.
Creepy Ghost Story
By Nicola Mansfield
Reason for Reading: This was a Cybils '10 nominee and as a panelist for Graphic Novels was required reading for me. The panelists did not receive a review copy from the publisher and like most other panelists, I, unfortunately, was unable to find a copy before our nominations were due. My copy from Interlibrary Loan request had just now come in.

This is a great ghost story told in the classic tradition and very worthy to be read by all ghost story aficionados. Jesse sees dead people, goblins, demons, monsters, etc. but he's learned to stop telling anyone since his parents' and teachers' reactions have been less than accepting. Now he and his family are traveling "home" to the Philippines; Jesse's parents immigrated to Canada when he was four and this is his third visit here. He hates it here. They have come for the funeral of his grandmother, "Lola" in Filipino. The culture of his Filipino family is quite hard for Jesse to accept, they are devout Catholics, carrying Rosaries, with beautiful shrines of worship in the house and yet they are steeped in the superstitions of tradition. Lola had the "gift" and he's heard all the stories of how she's helped the community and even defeated demons. Jesse fears what it will be like here now that Lola is gone.

A fabulous story with lots of creepy moments. The tension mounts slowly through the story. Things start happening right away and the reader becomes unsettled knowing something is not quite right. Gradually we learn what is going on, and Jesse realizes the truth as well. His cousin easily figures out Jesse's gift and berates him for hiding it, telling him it is a gift from God and he must use it. He has something he must do before he leaves. Then like any really good ghost story the book ends with a really fantastic heart-pounding shocker of an ending where one can only imagine what comes next. Loved this one!

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[O460.Ebook] Ebook Download A Freewheelin' Time: A Memoir of Greenwich Village in the Sixties, by Suze Rotolo

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“The girl with Bob Dylan on the cover of Freewheelin’ broke a forty-five-year silence with this affectionate and dignified recalling of a relationship doomed by Dylan’s growing fame.” –UNCUT magazine

Suze Rotolo chronicles her coming of age in Greenwich Village during the 1960s and the early days of the folk music explosion, when Bob Dylan was finding his voice and she was his muse.

A shy girl from Queens, Suze was the daughter of Italian working-class Communists, growing up at the dawn of the Cold War. It was the age of McCarthy and Suze was an outsider in her neighborhood and at school. She found solace in poetry, art, and music—and in Greenwich Village, where she encountered like-minded and politically active friends. One hot July day in 1961, Suze met Bob Dylan, then a rising musician, at a concert at Riverside Church. She was seventeen, he was twenty; they were both vibrant, curious, and inseparable. During the years they were together, Dylan transformed from an obscure folk singer into an uneasy spokesperson for a generation.

A Freewheelin’ Time is a hopeful, intimate memoir of a vital movement at its most creative. It captures the excitement of youth, the heartbreak of young love, and the struggles for a brighter future in a time when everything seemed possible.

• Sales Rank: #45190 in Books
• Brand: Brand: Broadway Books
• Published on: 2009-05-12
• Released on: 2009-05-12
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .85" w x 5.16" l, .65 pounds
• Binding: Paperback
• 384 pages

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• Used Book in Good Condition

From Publishers Weekly
In July 1961, Rotolo, a shy 17-year-old from Queens, met an up-and-coming young folk singer named Bob Dylan at an all-day folk festival at Riverside Church in Manhattan, and her life changed forever. For the next few years, Suze and Bobby lived a freewheeling life amid the bohemians in the emerging folk scene in Greenwich Village. Rotolo offers brief glimpses of the denizens populating the new music scene below 14th Street in the early '60s and recalls the excitement as writers and musicians like Dylan wandered in and out of each other's lives and apartments, trading music and lyrics to produce a new sound that would change American music. Yet as the woman who's clutching Dylan's arm on the cover of his second album Freewheelin' Bob Dylan, Rotolo doesn't give us a very freewheelin' memoir. She offers shallow, almost schoolgirl-like reflections on the man she loved and lived with for three years. In a dull and plodding manner, Rotolo provides no new insights into Dylan, claiming, as have so many, that he is mysterious and enigmatic. In an excerpt from one of her journals, she writes ambivalently that she believes in his genius and that he is an extraordinary writer, but that she doesn't think he's an honorable person. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
One of the most recognizable album-cover images of the 1960s shows a young man, underdressed for the winter in a light suede jacket, leaning into a young woman. Rotolo was that young woman, and in this uneven, overlong, still fascinating memoir, she tells the story behind that photo and her love for Bob Dylan. Rotolo met Dylan in 1961; she was 17, he 20. While Dylan is the bedrock of her memoir—without him, would there be a book?—he isn’t the whole story. Rotolo discusses her own background (Italian heritage, Communist parents, inability to fit in growing up in Queens, the craziness and sexism of the era), but the dominant setting is the Greenwich Village folk scene. In informal, conversational style, Rotolo recalls those who made that scene, many of them famous but none more so than the complicated Dylan. Given his formidable presence, Rotolo’s adamant refusal to be more than “a string on his guitar” in the book is admirable. The moments when she comes most alive in its pages are the most compelling. --June Sawyers

Review
"A delightful surprise . . . [Rotolo] gracefully captures Greenwich Village as an enchanted lost world." —Entertainment Weekly

"A portrait-of-an-era . . . through [Rotolo's] eyes, we see Dylan as a unique artist on his way to greatness." —People

"Artist Suze Rotolo pays rollicking homage to a revolutionary age." —Vogue

"Exhilarating . . . a moving account." —New York Times

"A perceptive, entertaining, and often touching book about a remarkable era in recent American cultural history, about a way of living, of making art, that couldn't have happened at any other time or in any other place." —Stephanie Zacharek, Salon

"Telling her own story more than Dylan's, Rotolo writes with the lightest touch . . . She makes her own textures, so what is left out doesn't feel as if it's missing, and what is left in maps the territory she wants to bring into view." —Griel Marcus, Interview

"Poignant . . . full of quick, deft sketches of key characters." —Guardian

“What a wonderful kid [Suze Rotolo] must have been—brave, openhearted, keenly observant and preternaturally wise, able to rise to the challenge of loving a genius like Bob Dylan and knowing when to let go. I'm glad I finally got to meet her in these pages.” —Joyce Johnson, author of Minor Characters

“Suze Rotolo digs hard and deep. Then she strolls, frets, and paints a gorgeous picture of a singular place and a time that was simpler but all tangled up. Best of all, she’s a natural writer who puts the beguiling voice, skeptical brow, shining eyes, and conductor’s hands I know right before you on the printed page. What’s her secret?” —Sean Wilentz

"A welcome, page-turning perspective conspicuously absent from the plethora of books on Dylan and the folk era of the 1960s: that of a woman witnessing it all from its cultural and political epicenter." —Todd Haynes, screenwriter and director of I’m Not There

“There have been a lot of books written about Greenwich Village in the sixties,and I've probably read all of them. What makes Suze's story so special is that she grew up in this neighborhood and she still lives here. She knows these crooked streets intimately, and they know her.” —Steve Earle

Most helpful customer reviews

2 of 2 people found the following review helpful.
i deeply connected with this story
By Jaw
i loved this book, getting to know the person in the songs and the relationship, i really liked Suze in reading this book, would've loved to know her, grateful for her sharing of her experience, she was a couple of years dead when i read it, i'm glad she wrote the story while she was still here.

Unlike some reviewers, for me, the book was a page turner and did not last long enough, even though i read it slowly and closely. The story is told with genuineness, as the person she is, not who other people want her to be. She's someone who knows how to be true to herself.

One of the most heart wrenching parts of the book for me was when she was about 14, her sister, Carla, moved out on her own, and Suze was left alone with their mother, who was an over the top alcoholic and rage-aholic. During that period, Suze endured brutal emotional abuse, the target of wild loud hate-filled rants from which she had no escape, as her tortured depressed mother blamed Suze for her unhappiness. Suze had some support from outside the home, family friends who knew what she was going through and let her come and stay with them for respite sometimes.

Like all people, her mother was a mixture and Suze took the best and tried to shut out the worst. Maybe this had something to do with her increasingly difficult reaction to the raucous and chaotic atmosphere involved in being Dylan's girl. She was his first love, and he was hers, their relationship lasted most of 4 years, which is a long time for any first relationship, much less one that had so little privacy, and so many amazing challenges to cope with.

Suze grew up lonely and often alone as a kid, she knew and adapted to solitude. She drew on her strengths to entertain and educate herself and to develop her creativity and to evolve her morals and values.

It was one of those stories where, even though i know how it's going to turn out, i couldn't help wishing for a different ending, for true first love to triumph and all romantic dreams to come true. The story gives context to Suze's rejection of the relationship with Dylan and moving on to do many other things with her life, in which she surrounded herself with a loving family of her own and continued to develop and exercise her own special talents. It's no wonder Dylan, and then her husband to be, fell in love with her. She has a simple and honest charisma.

She gives her experience of the Village at that intense exciting time in history. i had a feeling of her disconnectedness throughout, of an objective observer, keeping a self-protective distance. Clearly, she maintained a limit on the depth of feeling she shared for the most part, she shared what she was comfortable sharing, she shared the person that she shares with the world, drawing the boundaries she chooses to draw. It's a memoir, it's not an expose or tell-all kind of style.

0 of 0 people found the following review helpful.
Not just Dylan or the Village
By NYCity/Country
I learned of this memoir after Dylan received the Nobel Prize for poetry and was interested both because of him, but also because I spent a fair amount of time in the Village during the same era, being just a few years younger than Rotolo and Dylan. It wasn't what I expected (which was an opportunity to indulge in nostalgia). In many ways it is more important as it recollected the McCarthy Era, pre-feminist strictures, the evolution of folk music and the price of fame, both to the artist and those close to him/her. Rotolo, very much a deeply curious autodidact who did not do well in traditional educational settings, writes well and seemingly knowledgeably (one error I particularly noticed is that she referred to Theodore Reich as a psychologist rather than a psychiatrist and psychoanalyst). My major criticism of the book is that it didn't carry me along. My personal interest in the people and times kept me at it but there were times it felt a bit of a slog. Nonetheless, if you stick with it, I think you'll find it worthwhile if you have a general interest in Dylan, the early 60s in Greenwich Village.

1 of 1 people found the following review helpful.
A memorable memoir
By Russell J. Sanders
Of the many books about the sixties era I’ve read, Suze Rotolo’s memoir A Freewheelin’ Time is one of the best. For this is a woman who lived the spirit of the 1960s. As girlfriend to Bob Dylan, she was right in the middle of the Greenwich Village folkie movement. Her memoir is filled with stories that offer insight into how these people thought and felt while it is a wealth of modern history. Most importantly, Rotolo takes us inside a young man from Michigan who shook off his middle class beginnings to become the foremost poet of his time, perhaps the foremost poet of the twentieth century. Not only do we hear of their growing love for each other and its eventual demise, but we see the astonishment of a young woman who, by chance, became the cover of one of the most iconic record albums of all time, Dylan’s The Freewheelin’ Bob Dylan. At a time when album covers were skillfully and carefully designed, the photographer who did this famous shot just said, “Let’s go for a walk,” and on the walk, history was made. And Suze Rotolo is a part of that history and so much more of the history she relates in this engrossing book. She puts everything in perspective at the end: the sixties was a time when people were striving to make the world better by helping each other and sharing with each other; today, she says, people only ask, “What’s in it for me?”

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The Art Of District 9 gives fans a behind-the-scenes tour through the most visually and technologically stunning film of the past decade. Written by Weta Works insider Daniel Falconer—a special effects wizard who worked on The Lord of the Rings and The Lion, the Witch and the Wardrobe—The Art Of District 9 will answer the question everyone has been asking since the movie’s 2009 release: How did they do it?

• Sales Rank: #161331 in Books
• Brand: Brand: Harper Design
• Published on: 2010-12-21
• Released on: 2010-12-29
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 12.50" w x 1.00" l, 2.66 pounds
• Binding: Hardcover
• 160 pages

Features

• Used Book in Good Condition

Review
'What makes Blomfeld's film so radical is the clarity and force with which it proves that science fiction can tell us as much about the world we live in as any social documentary. ' Telegraph 'A towering achievement.' The Times 'The digital effects are so great they make it look like a documentary from hell.' Guardian

From the Back Cover

In 2009 Weta Workshop created a world so uncannily realistic that the special effects (in addition to an undeniably poignant plot) helped a low-budget film with an unknown cast become a blockbuster hit. Movie-goes, bloggers, and critics could not stop talking about Neill Blomkamp's first feature film, District 9, the newest alien movie that has raised the bar for science fiction thrillers in the new century.

Weta Workshop's artists created the special make-up effects, physical characteristics, alien weaponry, props, armor, custom vehicles and spaceships that were all stylized in a foreign yet familiar graphic language that defined the film's distinctive alien aesthetic. This book illuminates the creative design process, detailing two years of interaction between Weta's artists and director Neill Blomkamp in the form of hundreds of images of concept art from both the designers and director, stunning photographs of the props and sculptures, and insightful remarks from the artists themselves. Many of the images included in this book have never been seen before, including work cut or barely glimpsed in the finished film. Written by designer Daniel Falconer with a foreword by Neill Blomkamp and introduction by Richard Taylor (multi Academy Award winning special effects and make-up artist and head of Weta), The Art of District 9 offers an unrivalled, front row glimpse into the creative minds and hands that shaped this amazing film.

About the Author

Daniel Falconer has been a designer at Weta Workshop for more than a decade, producing conceptual art as part of the design team on many of the company's high profile projects, including The Lord of the Rings, King Kong, The Lion, the Witch and the Wardrobe and the short-lived Halo movie adaptation. Daniel wrote and collated Weta's first two books, The World of Kong (Simon & Schuster, 2005) and The Crafting of Narnia (HarperOne, 2008), art books that showcased the illustrative work of the entire design departments behind on King Kong and The Chronicles of Narnia movies, and has provided descriptive copy for movie-based toys and collectibles including The Lord of the Rings and Star Wars. He lives in Wellington with his wife Catherine and two daughters, reveling in his dream career of playing in imaginary worlds every day.

Most helpful customer reviews

47 of 48 people found the following review helpful.
It has more than what you saw in the film
By Parka
[[VIDEOID:mo294YS8BLHEIOZ]]Weta Workshop is a brand that's synonymous with quality creative work. The Art of District 9 is another testament to the amazing work they do, on top of what they have already done - Avatar, Lord of the Rings, King Kong and Narnia.

The Art of District 9 is a 160-page hardcover. This book actually cost a few dollars less than typical art books of this size. This is a fantastic bargain.

The book is filled with concept art. Most of the things you see are in their various stages of development, from the idea to the final designs. There are lots of iterations for character designs, the aliens, props, weapons, the mothership and many other stuff. All the visuals in the book are in high resolution with great detail.

What you see in the film is actually a small part of what's presented in the book. You can see a discarded concepts like crazy Organ Retriever which can harvest organs at the press of a button (I suppose), and then there's the variation of the exo suit which was designed to the stage where a life-size model was created and then dropped - I can't even begin to imagine how it feels like to have work at that stage of completion thrown out. And there are a few impressive mothership designs which weren't used as well.

Other than the illustrated art, there are also lots of pictures on the sculpts created. What impresses me are the weapon designs. They look really good, and they are printed really big, and there are lots of them.

Lead conceptual designer Greg Broadmore, creature designer David Meng, Neill Blomkamp and other artists provide good insight into the conceptualization process with their commentary.

This is one of the better art books for 2010.

Highly recommended.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

4 of 4 people found the following review helpful.
I might have peed a little
By SixFootEwok
I'll keep this short since there are 15 other 5 star reviews, but this is a model for what all other "art of" books should be. Complete design evolution of characters and weapons, along with photos of final Weta props. The book even shows a lot of the graphic design: everything from the alien language to the human corporations. So many awesome. Buy! Buy buy buy!

6 of 7 people found the following review helpful.
WOW!!! All "art of" books should be this good.
By iXlad66
A must have if you loved the production design of the film or if you are a sci-fi/fantasy artist looking for inspiration.
Unbelievable photos and reproductions of District 9's concept art.
Destined to be a highly sought-after collectible book.
Get it while you can!
Glad I ordered two copies.

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Matching folio to their 2012 release featuring 14 songs transcribed note-for-scorching-note. Includes: Barbarossa · Cheated · Desolation · Ghost Walking · Guilty · Insurrection · Invictus · King Me · The Number Six · Straight for the Sun · Terminally Unique · To the End · The Undertow · Visitation. PARENTAL ADVISORY: EXPLICIT LYRICS.

• Sales Rank: #1803192 in Books
• Brand: Billmann, Pete (CON)/ Booth, Addi (CON)/ Stocker, David (CON)
• Published on: 2012-06-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .42" w x 9.00" l, .1 pounds
• Binding: Paperback
• 162 pages

Features

• Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
!!!!!!!!!!
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Worth the Money!

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0 of 0 people found the following review helpful.
waited for this one to be best band not the best album but still rocks tab ...
By lee
waited for this one to be best band not the best album but still rocks tab is close, like all,it will get ya where you need to be.

0 of 0 people found the following review helpful.
Tab Book
By eduard
Good tab book notes are perfect. I Love it. First song from the book i learned is ghost walking its perfect. Thanks for the book

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Aircraft carrier Hiryū
As mentioned in the previous chapter, Hiryū was the second aircraft carrier included in “The Second Naval Armaments Supplement Program” of 1934. Originally both carriers were supposed to be sister vessels, but the number of design modifications introduced during the construction of Sōryū resulted in many differences between the two. According to the original plans Hiryū was to be completed a year after Sōryū, but her construction (similarly to her predecessor) suffered delays caused by two key factors. The first one was the implementation of the lessons learned during the reconstruction of Kaga, which was going on simultaneously with Hiryū’s construction. Then there was new data available from the early service days of Sōryū, which exposed some of the design’s drawbacks and weaknesses. The number of issues popping up “along the way” was further increased by the Fourth Fleet Incident and by Japan’s withdrawal from the previously signed naval treaties. Considering all those issues, it is not hard to imagine the inevitable impact they had on Hiryū’s original design and construction schedule. The greatest source of delays was undoubtedly the aftermath of the Fourth Fleet Incident, which forced the Navy Aviation Bureau to introduce changes in the design of the second carrier. After the new requirements had been implemented, Hiryū’s final design (known as the “Basic Project G-10”) finally emerged.

• Sales Rank: #1053520 in Books
• Published on: 2015-07-19
• Released on: 2015-07-19
• Original language: English
• Number of items: 1
• Dimensions: .40" h x 8.50" w x 12.00" l, 1.40 pounds
• Binding: Hardcover
• 100 pages

Most helpful customer reviews

21 of 22 people found the following review helpful.
4 stars for the information and the photos, but there are some annoyances and irritations.
By Bayard B.
A very good book on these two ships. Chapter I on Initial Concept and Design Changes contains information I had never read before. There is a separate chapter on the design of the Hiryu describing the changes to the design and construction as a result of the Fourth Fleet Incident of July 1935. The book is a translation from the original Polish and there are several annoyances. There are quite a few English misspellings and grammatical oddities. For example, Rangun is the capital of Birma. In a couple of sentences it appears that the Polish word for "hull" got translated as "fuselage." Another annoyance is that a couple of photo or drawing captions don't really match the photos. For example, on page 17, the label for the drawing reads "Cross section ... showing the thickness of armor plating." There is no text in the drawing -- the deck levels are not called out and no armor thicknesses are indicated. These things are a bit irritating but the information in the book is still excellent.

5 of 5 people found the following review helpful.
Highly Recommended.
By john jacob
Excellent book about this pair of IJN aircraft carriers. Well written, good selection of photos. Development and operational histories are covered. It includes color depictions of Japanese aircraft and their USN opponents that are very well done. Would have liked to see Hiryu and Soryu depicted in color as well, particularly some of the flight deck schemes, but that's a minor quibble. Would recommend, my purchase of this volume led to my buying another of his books on the IJN carrier KAGA.

3 of 3 people found the following review helpful.
Not as good as his book on the Kaga but well written ...
By Michael N. Ryan
Not as good as his book on the Kaga but well written from there nicely translated with some goofs. Well researched and extremely informative. Would be nice to see more books of this kind on the other ships of Pearl Harbor such as Akagi, Shokaku and Zuikaku as well as the Mogami heavy cruisers.

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Leading politician and bestselling author Newt Gingrich and novelist Pete Earley are back with another gripping international thriller.
THE WORLD'S MASTER TERRORIST, known only as the Falcon, has infiltrated Washington's highest corridors of power, threatening the very existence of our democracy in this realistic tale of modern day TREASON. Major Brooke Grant has been waging war against terrorism since her parents were murdered during 9/11, keenly aware that her enemy transcends borders. But a coordinated attack on the president at the funeral of a Washington power broker leads her to a terrifying revelation: the enemy is closer than she'd ever imagined and is hiding in plain sight. The Falcon has gained a weapon no terrorist has ever wielded before: an American-born traitor burrowed inside the U.S. government itself.

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• Sales Rank: #635 in Books
• Published on: 2016-10-11
• Released on: 2016-10-11
• Original language: English
• Dimensions: 9.38" h x 1.25" w x 6.25" l, .0 pounds
• Binding: Hardcover
• 384 pages

Review
"Heart pounding, TREASON is a great Washington thriller that will keep you on the edge of your seat --- filled with insider detail that only a writing team like Speaker Newt Gingrich and journalist Pete Earley could provide."―Daniel Silva, #1 New York Times bestselling author

The best political thrillers are written by those who have walked the walk, and Newt Gingrich's Duplicity is one of the best.―Nelson DeMille, #1 New York Times bestselling author, on DUPLICITY

An exciting page-turner about a presidential race and the face of terrorism.―Sean Hannity, #1 New York Times bestselling author and host of Hannity on FOX, on DUPLICITY

About the Author
NEWT GINGRICH is a former Speaker of the House and 2012 presidential candidate. He is a Fox News contributor and author of 28 books, including 14 New York Times bestsellers. Newt and his wife Callista host and produce documentary films. Recent films include The First American and Nine Days That Changed the World.

PETE EARLEY is a former Washington Post reporter and author of 13 books, including four New York Times bestsellers. He was a finalist for the 2007 Pulitzer Prize.

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22 of 22 people found the following review helpful.
Newt Hits A Home Run
By Celtpip
This is one of the best reads I have had this year. The book combines terrific characters with an actual scenario that could be happening in the world today. The idea that there are jihadist sleepers in all levels of Government isn't so far fetched. Our current President has allowed members of the Muslim Brotherhood into Government security organizations and the influx of Muslim immigrants and refugees make it easy for the new brAnd of terrorists to emerge.
Better yet Newt portrayal of the traitorous "insider threat" is a reAl American problem being addressed ebay all levels of GOvernment and industry who have access to America's secrets. News made this threat compuLsive so even the most skeptical person who doesn't think America is under a reAl jihadist threat now...Will after they read this book.
News has been in our Governments service for along time and has seen these threats arise from the 3rd world countries who believe America is the big Satan of the world. This book and hopefully the next book will move the readers to believe that we are being set up for another 9/11 of potentially greater proportions.
He has some great characters and an actual female as the kick butt heroine. She is smart and resourceful with bit of the Marine superwoman ready to roll out and save her country.
The only aspect of the book at least for me was that I picked out the American jihadist eArly in the book but I couldn't prove it. But the proof was provided at the end of the book
Great read and well worth the 5 stars I gIve it.

11 of 11 people found the following review helpful.
A Real Page Turner!
By Sandra Winegar
I am a fan of Newt as a politician. He is articulate and intelligent. Anxious to try a new read from him, I ordered this book and have not been able to put it down. The book is not as "heavy" (figuratively, not in weight), like a Ludlum or a Clancy, but has an excellent story line. The book has lived up to my hopes and expectations. The only downside is that it is not available on my iPad. I am anxious to finish this book so I can go back and order earlier volumes!

41 of 43 people found the following review helpful.
Loved!
By lq
Loved it! This is a fast paced political/espionage thriller that had me flipping pages just as quickly as possible. I read this book the week of the Orlando massacre and it was chilling reading about jihad while also watching it play out on the news. This is a sobering topic and the author has used his considerable political experience to weave a chilling tale while also making it easy to understand. While a difficult subject, this is a compelling novel that fans of the genre will love.

This is book two in the Duplicity series and picks up where book one ended, however it is a stand alone novel. It's so good, though, that you really owe to yourself to read them both. The author is on my must read authors' list.

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GREAT CONDITION - ALMOST LIKE NEW!! --PAGES & BINDING IN GREAT CONDITION--PAGES CONTAIN NO HIGHLIGHTING OR PEN MARKINGS OF ANY KIND. BINDING IS INTACT & CONTAINS NO DENTS OR OTHER FLAWS. PURCHASED BUT NEVER READ OR USED.

• Sales Rank: #2046953 in Books
• Published on: 1974-09
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 720 pages

Most helpful customer reviews

11 of 11 people found the following review helpful.
Nothing else like it
By Toutenhaut
Only a single printing of this book was published in 1973, at $35 per copy ($170 in today's dollars). Those who missed the boat have had to content with finding a local library that carried the title, or buying a deaccessioned volume from used book dealers at 10-20x the original retail (2-4x adjusted for inflation).

As the other reviewer noted, this is a comprehensive reference manual, a chronological survey of male fashion trends in the mostly Anglo-American cultural sphere through 3/4 of the 20th Century, from underwear to formal wear, from spats to cravats, from full body bathing suits to polyester leisure suits. The authors did not pretend to teach good taste (though they were clearly affected by the contemporary "Peacock Revolution"), as Flusser and Roetzel (and Andy Gilchrist) aimed to do through their popular guides; what they did offer in abundance was a historical perspective on the evolution of sartorial design. By gaining this perspective, the reader would have a more confident grasp on what 'good' taste was, is, and will likely be (given the cyclic nature of fashion).

Is this confidence worth $300 - $500? If one is a working member of the fashion or entertainment industry, almost certainly. A history buff? Quite possibly. Someone looking for guidance on what to wear to work or a wedding reception? Look online (several informative websites and Wikipedia articles appear to draw heavily from this book in their background sections), or buy something authored by Flusser, Roetzel, or Gilchrist.

After waiting patiently for years, I finally came across a copy offered at roughly 1x inflation-adjusted original retail; unless and until McGraw Hill decides to reissue this title in e-book format for a pittance, it will remain one of my all time best finds.

5 of 5 people found the following review helpful.
The Grimoire of men's classic fashion culture
By Peter Padro
This tome is the gold standard of resources for learning most everything there is to know about classic men's dress and fashion. More of a reference work than a cover to cover read, this resource answers most of those questions that would leave most classic men's dress mentors scratching their heads. Wonderful illustrations, sketches, glossary of terms, and evolutionary commentary of most every item that can be named in the male wardrobe.

A rarity to find in any condition, but be prepared to pay handsomely for the information contained herein. This book is a much valued and used trophy in my collection of lore in the art of classic men's dress. Couldn't recommend it with higher marks.

3 of 3 people found the following review helpful.
One of the Best References for Menswear around
By Aunt Peggy
Out of print, so it's hard to find at an affordable price. But if you are a costume or fashion designer, this remains one of the best compilation-type references around for 20th Century men's wear.

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