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The God Dialogues is an intriguing and extensive philosophical debate about the existence of God. Engaging and accessible, it covers all the main arguments for and against God's existence, from traditional philosophical "proofs" to arguments that involve the latest developments in biology and physics. Three main characters represent the principal views: Theodore Logan, the theist; Eva Lucien, the atheist; and Gene Sesquois, the agnostic. Their debate takes place during a post-college cross-country road trip during which Gene expresses dismay over his future. He wants to do something meaningful with his life but is at a loss as to how to proceed, despite having just earned a degree in engineering. Gene's quandary precipitates a discussion of the meaning of life and its connection to God's existence. This in turn leads to vigorous debates about morality and theism, evidence for and against God's existence, probability and the rationality of belief, and the relationship between faith and reason. The strongest arguments from all three perspectives are fairly represented. An annotated list of suggested readings directs readers to relevant and helpful primary sources.

Assuming no background knowledge, The God Dialogues is ideal for courses in the philosophy of religion, an excellent supplement for introduction to philosophy courses, and a compelling introduction for anyone with an interest in the subject.

Sales Rank: #397480 in Books
Published on: 2010-09-01
Released on: 2010-09-01
Original language: English
Number of items: 1
Dimensions: 5.50" h x .35" w x 8.10" l, .60 pounds
Binding: Paperback
192 pages

Review

"This is a splendid book. The authors have thorough and up-to-date knowledge of the material, and their negotiation of the overall dialectic is extremely sharp. It will be the best introductory text on this topic on the market. The dialogues present a fair and balanced account of the arguments, and for that reason the book will be an attractive option, even in conjunction with an anthology."--Derk Pereboom, Cornell University

"The greatest strength of the book is its combination of readability with commendable thoroughness in the topics undertaken. The level is generally perfect for introducing this material to undergraduates."--J. Gregory Keller, Indiana University-Purdue University Indianapolis

"A darn good book." --Robert Gressis, California State University, Northridge

About the Author

Torin Alter is Professor of Philosophy at the University of Alabama.

Robert J. Howell is Associate Professor of Philosophy at Southern Methodist University.

They are the coauthors of A Dialogue on Consciousness (OUP, 2008).

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6 of 6 people found the following review helpful.
An interesting and thought provoking read
By Clayton Littlejohn
This book does a number of things very well. It serves as an introduction to the philosophy of religion that covers a significant amount of territory while at the same time dealing with issues in some depth. While it does introduce the reader to issues and arguments, it is challenging without being impenetrable and accessible without insulting the reader's intelligence. If you work through this book (something that is easy to do, by the way, because the dialogues are fun to read), you come to see how things look from very different perspectives. If you want to know why reasonable and thoughtful people come to believe that God exists, this book shows that it is not just by some "leap of faith" that you can end up a believer. There are rational arguments for God's existence. Are they successful? It is hard to say. The atheists and agnostics get to offer their responses and the reader can decide who has the upper hand in this debate. The authors show that there is a difference between atheism and "new atheism". If you want to know why some reasonable and thoughtful people believe there is no God, you can see that there are actual reasons that could lead someone to conclude that there is no God. It's nice to see atheism get a fair hearing and atheistic arguments offered that show that there is more to the atheist's perspective than is captured in Hitchens or Harris. There is also a nice discussion of the significance of religious belief (or lack thereof) in a person's life.

While this book is written by philosophers, I imagine that non-philosophers will really enjoy this book. It would make an excellent gift for the literate theist, atheist, or agnostic in your life.

3 of 4 people found the following review helpful.
excellent introduction to philosophy of religion
By cdmeyers
I use The God Dialogues in my Introduction to Philosophy course at the University of Southern Miss' (along with Plato's Five Dialogues, Descartes's Meditations, another introductory book on free will, and various other readings). This book is an excellent introduction to the major philosophical arguments for and against the existence of God. It is perfect for an Introduction to Philosophy course, or as supplementary text for an undergraduate course on Philosophy of Religion, or simply as a fun read for anyone who wants to survey philosophical work on the issue without reading the original texts (which can be tedious, highly technical, and dry). I would even recommend the book for serious philosophy students or professional philosophers (like myself) with little or no background in philosophy of religion. It only took me a few days to read, and I feel that I have gained a good grasp on the basic issues and arguments.

The book is written as a series of nine dialogue between three characters--a Christian, an atheist, and an agnostic--taking place during a long road trip. All of the major arguments for and against the existence of God are clearly and fairly explained, assessed and critiqued, including the design argument, the cosmological argument, the ontological argument, the problem of evil, Pascal's wager, and the appeal to religious experience. The authors manage to make the material easy to read without dumbing down the arguments, and they are fair to both sides of the debate. Most of my students, many of whom are typical southern conservative Bible-thumpers, enjoyed (or at least appreciated) the book.

The dialogue is sometimes a little stilted and the jokes can be corny. But books of this nature inevitably face a trade-off between literary style and natural sounding speech versus clarity and philosophical rigor. I think the authors make the right choice in laying out the arguments more precisely and with more detail than most people realistically would do in a friendly conversation on vacation. And the writing is still as natural and entertaining as can be expected given the priority of content over style.

0 of 0 people found the following review helpful.
Great!
By Forrest J.S. Schreick
An excellent introduction to the themes and arguments of Philosophy of Religion.

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Sales Rank: #650775 in Books
Published on: 2015-12-04
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Number of items: 1
Dimensions: 6.58" h x .2" w x 5.01" l, .1 pounds
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This is the first introductory text on public services management which provides a comprehensive overview of the subject from a truly management perspective. Taking the context of public services management as its starting point, the first section explains why changes in public services have come about and the impact these changes have on public services management. Political, social and economic factors are considered and the distinctiveness of public services management is discussed. An examination of management functions as they relate to public services follows in section two, while section three critically assesses public services management and its future. The text is generously supported by Financial Times case material, personal profiles and vignettes, including those from the private and voluntary sectors, to provide a real-life context. Pedagogical features such as discussion questions at the end of each chapter and definitions of key terms provide support for the student making it an ideal text for undergraduates on public policy, public and generic management courses, as well as public services managers and post-experience students.

Sales Rank: #4951218 in Books
Brand: Brand: Financal Times Management
Published on: 1998-07-10
Ingredients: Example Ingredients
Original language: English
Number of items: 7
Dimensions: 9.50" h x 7.50" w x 1.00" l, 1.53 pounds
Binding: Paperback
448 pages

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Jumat, 20 April 2012

[H998.Ebook] PDF Ebook Gem of the Ocean, by August Wilson

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“No one except perhaps Eugene O’Neill and Tennessee Williams has aimed so high and achieved so much in the American theater.”—John Lahr, The New Yorker

“A swelling battle hymn of transporting beauty. Theatergoers who have followed August Wilson’s career will find in Gem a touchstone for everything else he has written.”—Ben Brantley, The New York Times

“Wilson’s juiciest material. The play holds the stage and its characters hammer home, strongly, the notion of newfound freedom.”—Michael Phillips, Chicago Tribune

Gem of the Ocean is the play that begins it all. Set in 1904 Pittsburgh, it is chronologically the first work in August Wilson’s decade-by-decade cycle dramatizing the African American experience during the 20th century—an unprecedented series that includes the Pulitzer Prize–winning plays Fences and The Piano Lesson. Aunt Esther, the drama’s 287-year-old fiery matriarch, welcomes into her Hill District home Solly Two Kings, who was born into slavery and scouted for the Union Army, and Citizen Barlow, a young man from Alabama searching for a new life. Gem of the Ocean recently played across the country and on Broadway, with Phylicia Rashad as Aunt Esther.

Earlier in 2005, on the completion of the final work of his ten play cycle-surely the most ambitious American dramatic project undertaken in our history-August Wilson disclosed his bout with cancer, an illness of unusual ferocity that would eventually claim his life on October 2. Fittingly the Broadway theatre where his last play will be produced in 2006 has been renamed the August Wilson Theater in his honor. His legacy will animate the theatre and stir the human heart for decades to come.

Sales Rank: #52252 in Books
Brand: Wilson, August
Published on: 2006-07-17
Original language: English
Number of items: 1
Dimensions: 8.50" h x .30" w x 5.30" l, .33 pounds
Binding: Paperback
112 pages

About the Author
August Wilson is the most influential and successful African American playwright writing today. He is the two-time Pulitzer Prize-winning author of Fences, The Piano Lesson, King Hedley II, Ma Rainy's Black Bottom, Joe Turner's Come and Gone, Seven Guitars, Two Trains Running, Jitney and Radio Golf. His plays have been produced all over the world.

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1 of 1 people found the following review helpful.
A Gem of a Play
By J. Blanton
This is the play about the first decade of The Century Cycle. 1904 is its time, so several of the characters are ex-slaves including Aunt Esther who was born in 1619, the year the first slaves came to America; this very old woman is a soul-cleanser. Citizen Barlow comes from Alabama for cleansing. Caesar Wilks is an enforcer for the white establishment. Solly Two Kings used to help on the underground railroad. Aunt Esther takes Citizen Barlow on a spiritual ride to the "City of Bones." The people in the house dance and play juba and sing ring-shout songs, hangovers from slavery. However, Caesar is there to crush any displays of resistance to to the established order and carry out the tragic ending.

A brilliant start for the ten-play cycle depicting the African-American adventure in the United States. All ten plays were nominated for at least one drama award (this one for a Tony). Most were nominated for at least three awards. Eight won at least one of the awards. Eight won a New York Drama Critics Circle Award for best play. One won a Drama Desk Award for best play. One won a Tony for best play. Two won a Pulitzer Prize for best drama. August Wilson is one of the top five American playwrights of the 20th century.

2 of 2 people found the following review helpful.
a powerful statement on America at the turn of the last century
By doc peterson
August Wilson's "Century Cycle" is a serial of 10 plays, each set in a different decade of the 20th century, each addressing the historical challenges African-Americans faced at that time, as well as speaking to the wider problems and issues that tie us together as humanity. The first play in the Cycle, _Gem of the Ocean_, is set in Pittsburgh in 1904. The primary players are Aunt Esther, a "soul-cleanser", Solly Two Kings, a former conductor on the underground railroad, and Citizen Barlow, a young man newly arrived up north from Alabama. As with many of Wilson's plays, the connection between past and present is of primary importance - in _Gem of the Ocean_, Barlow seeks to have his soul cleansed for a crime he has committed.

In "cleaning his soul," Esther takes Barlow (and the audience) on a spiritual journey aboard a slave ship, the "Gem of the Ocean," helping Barlow (and the audience) understand the journey that African-Americans have been on, and which we Americans (black and white) are still on. Rather than blame or preach about the evils of slavery and how it has affected African-Americans, Wilson instead asks us to pause, think and reflect on the injustices we have done and which have been done to us - and he asks us how we can make these transgressions right.

I have not yet had the opportunity to see the play performed, although I hope to soon; the play itself is an easy read (just under 90 pages), but a masterpiece writen by an author at the peak of his craft. Highly recommended.

0 of 0 people found the following review helpful.
Possibly Wilson's most comprehensive expression of his vision. Wilson ...
By William K
Possibly Wilson's most comprehensive expression of his vision. Wilson was a genius, an extraordinary playwright and myth maker. Review his life story if you wish to learn what "self made" really means. I have seen several of his plays produced at the Court Theater at the University of Chicago. A remarkable window into African American life. Thank you for the gift of your art, August Wilson

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Selasa, 17 April 2012

[T752.Ebook] Get Free Ebook Video Processing and Communications, by Yao Wang, Jôrn Ostermann, Ya-Qin Zhang

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Useful as a reference work, this book offers a good balance between theoretical concepts and practical solutions, with more rigorous formulation of certain problems such as motion estimation, sampling, basic coding theory. Provides an in-depth exposition of fundamental theory and techniques for video processing, including frequency domain characterization of video signals and visual perception, video sampling and format conversion, two dimensional and three dimensional motion estimation. Also presents techniques important for video communications, including video coding and error control, and up-to-date coverage on recent international standards on video communications. A chapter is devoted to video streaming over Internet and wireless networks, one of the most popular video communication applications. In addition, it discusses processing and communications of stereoscopic and multiview video. Practicing researchers and engineers.

Sales Rank: #1447717 in Books
Published on: 2001-10-07
Original language: English
Number of items: 1
Dimensions: 9.20" h x 1.40" w x 6.90" l, 2.25 pounds
Binding: Hardcover
595 pages

From the Back Cover

Yao Wang received the B.S. and M.S. degrees in electrical engineering from Tsinghua University, Beijing, China, in 1983 and 1985, respectively, and the Ph.D. degree in electrical and computer engineering from the University of California at Santa Barbara in 1990. Since 1990, she has been with the Faculty of Electrical Engineering, Polytechnic University, Brooklyn, NY. Her research areas include video communications, multimedia signal processing, and medical imaging. She has authored and co-authored over 100 papers in journals and conference proceedings. She is a senior member of IEEE and has served as an Associate Editor for the IEEE Transactions on Circuits and Systems for Video Technology and the IEEE Transactions on Multimedia. She won the Mayor's Award of the City of New York for Excellence in Science and Technology in the Young Investigator category in 2000.

Jörn Ostermann studied electrical engineering and communications engineering at the University of Hannover and Imperial College London, respectively. He received Dipl.-Ing. and Dr.-Ing. from the University of Hannover in 1988 and 1994, respectively. He has been a staff member with Image Processing and Technology Research, AT&T Labs¾Research since 1996, where he is engaged in research on video coding, shape coding, multi-modal human-computer interfaces with talking avatars, standardization, and image analysis. He is a German National Foundation scholar. In 1998, he received the AT&T Standards Recognition Award and the ISO award. He is a member of the IEEE, the IEEE Technical Committee on Multimedia Signal Processing, and chair of the IEEE CAS Visual Signal Processing and Communications (VSPC) Technical Committee.

Ya-Qin Zhang received the B.S. and M.S. degrees in electrical engineering from the University of Science and Technology of China (USTC) in 1983 and 1985, respectively, and the Ph.D. degree from George Washington University in 1989. He is currently the Managing Director of Microsoft Research in Beijing, after leaving his post as the Director of Multimedia Technology Laboratory at the Sarnoff Corporation in Princeton, NJ (formerly the David Sarnoff Research Center, and RCA Laboratories). He has been engaged in research and commercialization of MPEG2/DTV, MPEG4/VLBR, and multimedia information technologies. He has authored and co-authored over 200-refereed papers in leading international conference proceedings and journals. He has been granted over 40 U.S. patents in digital video, Internet, multimedia, wireless and satellite communications. He was the Editor-in-Chief of the IEEE Transactions on Circuits and Systems for Video Technology from 1997 to 1999. He is a Fellow of the IEEE.

About the Author

Jorn Ostermann studied electrical engineering and communications engineering at the University of Hannover and Imperial College London, respectively. He received Dipl.-Ing. and Dr.-Ing. from the University of Hannover in 1988 and 1994, respectively. He has been a staff member with Image Processing and Technology Research, AT&T Labs Research since 1996, where he is engaged in research on video coding, shape coding, multi-modal human-computer interfaces with talking avatars, standardization, and image analysis. He is a German National Foundation scholar. In 1998, he received the AT&T Standards Recognition Award and the ISO award. He is a member of the IEEE, the IEEE Technical Committee on Multimedia Signal Processing, and chair of the IEEE CAS Visual Signal Processing and Communications (VSPC) Technical Committee.

Ya-Qin Zhang received the B.S. and M.S. degrees in electrical engineering from the University of Science and Technology of China (USTC) in 1983 and 1985, respectively, and the Ph.D. degree from George Washington University in 1989. He is currently the Managing Director of Microsoft Research in Beijing, after leaving his post as the Director of the Multimedia Technology Laboratory at the Sarnoff Corporation in Princeton, NJ (formerly the David Sarnoff Research Center, and RCA Laboratories). He has been engaged in research and commercialization of MPEG2/DTV, MPEG4/VLBR, and multimedia information technologies. He has authored and co-authored over 200 refereed papers in leading international conference proceedings and journals. He has been granted over 40 U.S. patents in digital video, Internet, multimedia, wireless and satellite communications. He was the Editor-in-Chief of the IEEE Transactions on Circuits and Systems for Video Technology from 1997 to 1999. He is a Fellow of the IEEE.

In the past decade or so, there have been fascinating developments in multimedia representation and communications. First of all, it has become very clear that all aspects of media are "going digital"; from representation to transmission, from processing to retrieval, from studio to home. Second, there have been significant advances in digital multimedia compression and communication algorithms, which make it possible to deliver high-quality video at relatively low bit rates in today's networks. Third, the advancement in VLSI technologies has enabled sophisticated software to be implemented in a cost-effective manner. Last but not least, the establishment of half a dozen international standards by ISO/MPEG and ITU-T laid the common groundwork for different vendors and content providers.

At the same time, the explosive growth in wireless and networking technology has profoundly changed the global communications infrastructure. It is the confluence of wireless, multimedia, and networking that will fundamentally change the way people conduct business and communicate with each other. The future computing and communications infrastructure will be empowered by virtually unlimited bandwidth, full connectivity, high mobility, and rich multimedia capability.

As multimedia becomes more pervasive, the boundaries between video, graphics, computer vision, multimedia database, and computer networking start to blur, making video processing an exciting field with input from many disciplines. Today, video processing lies at the core of multimedia. Among the many technologies involved, video coding and its standardization are definitely the key enablers of these developments. This book covers the fundamental theory and techniques for digital video processing, with a focus on video coding and communications. It is intended as a textbook for a graduate-level course on video processing, as well as a reference or self-study text for researchers and engineers. In selecting the topics to cover, we have tried to achieve a balance between providing a solid theoretical foundation and presenting complex system issues in real video systems.

SYNOPSIS

Chapter 1 gives a broad overview of video technology, from analog color TV system to digital video. Chapter 2 delineates the analytical framework for video analysis in the frequency domain, and describes characteristics of the human visual system. Chapters 3-12 focus on several very important sub-topics in digital video technology. Chapters 3 and 4 consider how a continuous-space video signal can be sampled to retain the maximum perceivable information within the affordable data rate, and how video can be converted from one format to another. Chapter 5 presents models for the various components involved in forming a video signal, including the camera, the illumination source, the imaged objects and the scene composition. Models for the three-dimensional (3-D) motions of the camera and objects, as well as their projections onto the two-dimensional (2-D) image plane, are discussed at length, because these models are the foundation for developing motion estimation algorithms, which are the subjects of Chapters 6 and 7. Chapter 6 focuses on 2-D motion estimation, which is a critical component in modern video coders. It is also a necessary preprocessing step for 3-D motion estimation. We provide both the fundamental principles governing 2-D motion estimation, and practical algorithms based on different 2-D motion representations. Chapter 7 considers 3-D motion estimation, which is required for various computer vision applications, and can also help improve the efficiency of video coding.

Chapters 8-11 are devoted to the subject of video coding. Chapter 8 introduces the fundamental theory and techniques for source coding, including information theory bounds for both lossless and lossy coding, binary encoding methods, and scalar and vector quantization. Chapter 9 focuses on waveform-based methods (including transform and predictive coding), and introduces the block-based hybrid coding framework, which is the core of all international video coding standards. Chapter 10 discusses content-dependent coding, which has the potential of achieving extremely high compression ratios by making use of knowledge of scene content. Chapter 11 presents scalable coding methods, which are well-suited for video streaming and broadcasting applications, where the intended recipients have varying network connections and computing powers. Chapter 12 introduces stereoscopic and multiview video processing techniques, including disparity estimation and coding of such sequences.

Chapters 13-15 cover system-level issues in video communications. Chapter 13 introduces the H.261, H.263, MPEG-1, MPEG-2, and MPEG-4 standards for video coding, comparing their intended applications and relative performance. These standards integrate many of the coding techniques discussed in Chapters 8-11. The MPEG-7 standard for multimedia content description is also briefly described. Chapter 14 reviews techniques for combating transmission errors in video communication systems, and also describes the requirements of different video applications, and the characteristics of various networks. As an example of a practical video communication system, we end the text with a chapter devoted to video streaming over the Internet and wireless network. Chapter 15 discusses the requirements and representative solutions for the major subcomponents of a streaming system.

SUGGESTED USE FOR INSTRUCTION AND SELF-STUDY

As prerequisites, students are assumed to have finished undergraduate courses in signals and systems, communications, probability, and preferably a course in image processing. For a one-semester course focusing on video coding and communications, we recommend covering the two beginning chapters, followed by video modeling (Chapter 5), 2-D motion estimation (Chapter 6), video coding (Chapters 8-11), standards (Chapter 13), error control (Chapter 14) and video streaming systems (Chapter 15). On the other hand, for a course on general video processing, the first nine chapters, including the introduction (Chapter 1), frequency domain analysis (Chapter 2), sampling and sampling rate conversion (Chapters 3 and 4), video modeling (Chapter 5), motion estimation (Chapters 6 and 7), and basic video coding techniques (Chapters 8 and 9), plus selected topics from Chapters 10-13 (content-dependent coding, scalable coding, stereo, and video coding standards) may be appropriate. In either case, Chapter 8 may be skipped or only briefly reviewed if the students have finished a prior course on source coding. Chapters 7 (3-D motion estimation), 10 (content-dependent coding), 11 (scalable coding), 12 (stereo), 14 (error-control), and 15 (video streaming) may also be left for an advanced course in video, after covering the other chapters in a first course in video. In all cases, sections denoted by asterisks (*) may be skipped or left for further exploration by advanced students.

Problems are provided at the end of Chapters 1-14 for self-study or as homework assignments for classroom use. Appendix D gives answers to selected problems. The website for this book ( www.prenhall.com/wang ) provides MATLAB scripts used to generate some of the plots in the figures. Instructors may modify these scripts to generate similar examples. The scripts may also help students to understand the underlying operations. Sample video sequences can be downloaded from the website, so that students can evaluate the performance of different algorithms on real sequences. Some compressed sequences using standard algorithms are also included, to enable instructors to demonstrate coding artifacts at different rates by different techniques.

Most helpful customer reviews

0 of 0 people found the following review helpful.
but clean and good status. I was satisfied
By Victoria Kim
Although this is used book, but clean and good status. I was satisfied.

5 of 5 people found the following review helpful.
The book is incomplete
By irene
This book covers a lot of topics in one, including many state-of-art developments. The first half of the book covers the fundamentals of image and video coding and processing techniques. This part is not much different from other image/video processing books with basic theories and plenty of maths. The latter part contains new stuff, but I was disappointed by its incomplete introductions. Many sections assume the readers have good background and very briefly mention the topic without even defining some terms beforehand. It is recommended to read the referenced journal papers before trying to understand this part. Wavelet is only covered in several pages. A missing part!

2 of 6 people found the following review helpful.
Excellent
By A Customer
This new textbook covers basic topics on digital video processing as well as a variety of advanced topics on video coding and communication. The authors have been doing leading research on video processing and communications for years. We used it to cover the video topics in a graduate introductory course on image and video processing, and also plan to use it as a reference book for a advanced topic course on multimedia communications. The material is clearly presented with many illustrations. Later parts of the book give a good overview of the state-of-the-art technologies on video compression and communication. There is also an appendix section giving the answers to selected problems. In my opinion, the book is a very good starting point for people interested in the video technologies. It helps to build solid foundations. The book can be complemented with latest research papers for advanced study, or with detailed video coding standards for implementing practical systems.

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Sabtu, 14 April 2012

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Excerpt from Oxford Lectures on Poetry

This volume consists of lectures delivered during my tenure of the Chair of Poetry at Oxford and not included in Shakespearean Tragedy. Most of them have been enlarged, and all have been revised. As they were given at intervals, and the majority before the publication of that book, they contained repetitions which I have not found it possible wholly to remove. Readers of a lecture published by the University of Manchester on English Poetry and German Philosophy in the Age of Wordsworth will pardon also the restatement of some ideas expressed in it.

The several lectures are dated, as I have been unable to take account of most of the literature on their subjects published since they were delivered.

They are arranged in the order that seems best to me, but it is of importance only in the case of the four which deal with the poets of Wordsworth's time.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sales Rank: #450980 in Books
Published on: 2015-09-27
Original language: English
Number of items: 1
Dimensions: 9.02" h x .83" w x 5.98" l, 1.19 pounds
Binding: Paperback
406 pages

About the Author
Andrew Cecil Bradley was born in 1851 in Cheltenham. He was the son of a clergyman and the younger brother of the philosopher F.H. Bradley. He received his education at Cheltenham College and at Balliol College, Oxford, where he became a fellow in 1874, lecturing in Philosophy and English. In 1882 Bradley became the first Professor of Literature and History at Liverpool, and later on Professor of English Language and Literature at Glasgow from 1890, and Professor of Poetry at Oxford from 1901 until 1906, when he retired from academic life.

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13 of 14 people found the following review helpful.
The master critic on Shakespeare, Keats, Shelley, Wordsworth
By Shalom Freedman
This set of essays by the master Shakespeare critic A.C. Bradley contains essays on :Poetry for Poetry's Sake, The Sublime, Hegel's Theory of Tragedy, Wordsworth, Shelley's View of Poetry, The Long Poem in the Age of Wordsworth, The Letters of Keats, The Rejection of Falstaff, Shakespeare's Antony and Cleopatra, Shakespeare the Man, Shakespeare's Theatre and Audience.
I especially enjoyed the essay on Keats where Bradley focuses on the meaning of Beauty in Keats' letters. His appreciation of the remarkable character of Keats and how this is reflected both in the Letters and the Poems is instructive. The essay on Shakespeare the Man I found a bit speculative , yet another attempt to say something about the character of the character who mastered and made so many different characters. It is interesting that Bradley believes that Shakespeare is the poet who best exemplified Keats' prescription for what a poet ideally should be, one whose negative capability means he is within and without all the characters he creates. The essay on Wordsworth focuses on his originality especially in finding in the simplicities of daily life, and in simple characters the deepest expressions of human soul.
But there is much more than I have indicated here . This is a classic set of essays by one of the English literary traditions, most important critics.

1 of 1 people found the following review helpful.
A C Bradley at his best
By Victor a levi
I am a fan of the writings of A C Bradley, in my mind the finest critic of William Shakespeare. As opposed to "Shakesperean Tragedy". his epic, this book contains criticism of authors other than Shakespeare, although his criticism of Anthony and Cleopatra is superb. Any one who enjoys Shakesperean criticism will, I think, find much to enjoy in this book.

1 of 7 people found the following review helpful.
Interesting
By CDS
Interesting book on poetry, but I don't have eighteen words two comment so, one, two, three, four, five, six, seven.

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Rabu, 11 April 2012

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The classic novel of Jewish immigrants, with period photographs.

This masterwork of American immigrant literature is set in the 1920s on the Lower East Side of Manhattan and tells the story of Sara Smolinsky, the youngest daughter of an Orthodox rabbi, who rebels against her father's rigid conception of Jewish womanhood. Sarah's struggle towards independence and self-fulfillment resonates with a passion all can share. Beautifully redesigned page for page with the previous editions, Bread Givers is an essential historical work with enduring relevance. 16 black-and-white photographs

Sales Rank: #46439 in Books
Brand: Brand: Persea
Published on: 2003-08-01
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.10" w x 5.30" l, .25 pounds
Binding: Paperback
336 pages

Features

Used Book in Good Condition

Review
Conscious of her outsider status - a Polish immigrant, a writer in a foreign language, a Jewish female - Anzia Yezierska takes us inside an early twentieth-century American immigrant Jewish family, a family without a son to lighten their load or brighten their lives. Sarah, the narrator of Bread Givers, describes with urgency and in detail the lives she, her sisters, and her mother live to support their revered, torah-reading father: their crowded shared rooms so he can study undisturbed; the numerous jobs all but he work to maintain the family and support his books, charities, and manner of dress; his constant and often impossible demands. Sarah struggles to remain loyal: "I began to feel I was different than my sisters... If they ever had times they hated Father, they were too frightened of themselves to confess... But could I help it what was inside me? I had to feel what I felt even it killed me." Through profuse and perceptive dialogue, Anzia Yezierska brings to life a heritage whose strength, wisdom, and idiom continue, seventy years later, to enrich North American culture and language. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Jesse Larsen

One of the authentic and touching testaments of the struggle of Jewish immigrants, especially Jewish women, to find their way in the new world. -- Irving Howe

About the Author
Anzia Yezierska (1882-1970) was born in Poland and came to the Lower East Side of New York with her family in 1890 when she was nine years old. By the 1920s she had risen out of poverty and become a successful writer of stories, novels―all autobiographical―and an autobiography, Red Ribbon on a White Horse (Persea). Her novel Bread Givers (Persea) is considered a classic of Jewish American fiction. Her acclaimed books also include How I Found America: Collected Stories and The Open Cage. She died in 1970.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Unleavened Bread
By RCM
"Bread Givers" by Anzia Yezierska was a delightful discovery. It is unique in modern literature, as a portrait of a poor Jewish immigrant family told through the perspective of the youngest daughter. Based very much on Yezierska's real life experiences, it is a testament that offers insight into a time past and into some very common experiences. While the overall picture is bleak, Yezierska weaves a thread of hope through all the despair in her main character's life.

Sara Smolinsky is the youngest daughter in a family of four daughters, headed by a strict Orthodox rabbi of a father, who lives to read and gain wisdom from the Torah. The women in his family are meant to support him in this effort, no matter the cost to their health or happiness. Sara watches as her father allows his wife and daughters to nearly kill themselves slaving for every scrap of money, food, and clothing, and then interfere in their love lives by choosing inadequate husbands for them. His wife and three oldest daughters give in to him, but Sara refuses to have her spirit broken, running away and working to educate herself so that she can fulfill her dream of becoming a teacher.

Yezeriska was a gifted storyteller, crafting an extremely readable tale in simple prose, ignited every so often with profound illuminations regarding life and love. While it is terribly hard to like Reb Smolinsky for how he treats his family, Yezierska still allows readers to pass their own judgment rather than tell them what to think. It is an intimate portrait of the traditional world unable to compete with the new world that was unfolding in America at the time. I am looking forward to reading more by this author.

5 of 5 people found the following review helpful.
I wanted to shake some sense into Sara's father
By BookAce
for being such a tyrant, for spoiling his daughters' wedding plans, and for RUINING their lives -- and believe me-- that kind of stuff REALLY went on in those days! And I wanted to shake some sense into her mother for PUTTING UP WITH THIS!!!

Sara Smolinsky's life most probably parallels Anzia's real life. And if that is true, then I have the UTMOST respect for Sara/Anzia who against all odds, and especially as a woman back in the 1920's, found a place for herself and worked VERY hard to get that education and respect and "the good life" that all the middle-class American kids took for granted.

Someone reading this book today -- who has not read any books on the Immigrant experience or who has not become aquainted with Immigrant life in America in the early 20th Century -- wouldn't have a CLUE as to what it was really like back then, and to them this book would perhaps only serve to confuse or bore (!) them. Hopefully this book will not only shake readers out of their complacency, but it will encourage them to read other books about the Immigrant experience, such as "call it Sleep" by Roth.

The Bread-Givers is a great book.

0 of 0 people found the following review helpful.
Good read
By sean dixon
This was an interesting tale on the immigrant experience and one's struggles with culture, tradition, gender norms, and forming an identity in the American context.

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Amos Oz's first book—beautifully repackaged—is a disturbing and moving collection of short stories about kibbutz life.

Each of the eight stories in this volume grips the reader from the first line. Each conveys the tension and intensity of feeling in the founding period of Israel, a brand-new state with an age-old history.

Some are love stories, more are hate stories, and frequently the two urges intertwine.

Sales Rank: #457280 in Books
Published on: 2012-08-21
Released on: 2012-08-21
Original language: English
Number of items: 1
Dimensions: 7.90" h x .60" w x 5.20" l, .50 pounds
Binding: Paperback
240 pages

From the Back Cover
Amos Oz's first book—beautifully repackaged—is a disturbing and moving collection of short stories about kibbutz life.

Each of the eight stories in this volume grips the reader from the first line. Each conveys the tension and intensity of feeling in the founding period of Israel, a brand-new state with an age-old history.

Some are love stories, more are hate stories, and frequently the two urges intertwine.

Amos Oz was born in Jerusalem in 1939. He is the author of numerous works of fiction and nonfiction, including his acclaimed memoir A Tale of Love and Darkness, which was an international bestseller and a recipient of the National Jewish Book Award.

About the Author

AMOS OZ was born in Jerusalem in 1939. He is the author of fourteen novels and collections of short fiction, and numerous works of nonfiction. His acclaimed memoir A Tale of Love and Darkness was an international bestseller and recipient of the prestigious Goethe Prize, as well as the National Jewish Book Award. Scenes from Village Life, a New York Times Notable Book, was awarded the Prix Méditerranée Étranger in 2010. He lives in Tel Aviv, Israel.

NICHOLAS DE LANGE is a professor at the University of Cambridge and a renowned translator. He has translated Amos Oz’s work since the 1960s.

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3 of 3 people found the following review helpful.
Can anything by OZ be less than perfect ?
By wrentzu
I must admit that Amos Oz is my favorite writer. The themes and stories are of course wonderful but what I have really learned to appreciate are the beautiful phrases in his work. It's amazing that a book written originally in Hebrew has made me appreciate English even more. I read his books differently than others, slowly, smoothly, I do not gobble them.

All of his books are good, but this one is a little bit darker than the others. To really enjoy him, start with one of his others and come back to this one.

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